Amy Grant’s The Me That Remains (Deluxe Edition) is out now via Thirty Tigers, expanding Grant’s first album of original songs in 13 years with seven additional tracks, including new collaborations, alternate mixes and four live performances recorded during her album release celebration at Nashville’s legendary Ryman Auditorium.
And CCM Magazine was there.
Amanda and Logan Sekulow attended the Ryman show earlier this year, and it was one of those Nashville nights that felt genuinely special. Hearing these songs performed in the room surrounded by friends, collaborators and an audience celebrating this new chapter of Grant’s career was incredible. The appreciation she has for her fans, and the time we spent with her and her team afterward, made it a night we’ll never forget.
Now, four performances from that night have officially made their way onto the deluxe album.
The new live tracks include “The Saint,” “The Me That Remains,” “‘Til We Get It Right” and “(Nothing Like A) Sunny Day.”
The deluxe edition also features a new version of “Please Don’t Make Me Beg” with Switchfoot frontman and co-writer Jon Foreman, a “Mandolin Choir Mix” of “Beautiful Lone Companion” and many more.
For CCM readers, the new release also gives us a pretty great excuse to point you back toward one of our biggest features of the year.
Grant was our May 2026 CCM Magazine cover artist, sitting down with Logan and Amanda for an extended conversation about The Me That Remains, faith, family, memory, creativity and what life and music look like after more than five decades in the spotlight.
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And we didn’t just talk.
Grant performed a jaw dropping series of intimate performances exclusively for CCM Magazine, giving fans an up-close look at both the new music and songs that have been part of the soundtrack of countless lives.
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Produced by Mac McAnally, The Me That Remains finds Grant looking at healing, relationships, the passage of time and what remains after life changes us.
And if you loved the original album, the newly released deluxe edition feels less like a collection of leftovers and more like an encore—especially for those of us lucky enough to have been in the Ryman when some of it was captured.
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The Me That Remains (Deluxe Edition) is out now.
And we couldn’t forge this one…
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